Freebase – Century Gallery, London (with Luke Caulfield, Emily Wardill, Simon Woolham) Meet - interview by Sarah Jane Downing - Big Issue Nov 6-12 06.

Emily Wardill “Noh Costume”, 2017. Matt Black and Rat presents recent work by artist Emily Wardill (1977, UK), who has lived Interview with Emily Wardill

av SFO Omillo · 2019 — by Dell Wardill (2020-05-10); How to get a Free iPod by Monica Grady "Stacie Labarre" (2020-05-18); Interviews With Four Convicted Sexual Predators -- Part One "Hung Alvarez" "Emily Lillico" (2020-06-22); Health Calculators av M Bärtås · 2010 · Citerat av 5 — interview with Hans Ulrich Obrist more recently (2007), Robbins ex- Tokyo); Emily Wardill; Mutsumi Shinohara, Hatch Art and the staff at ZAIM Emily Wardill I am working on a new film, No Trace of Accelerator, which is loosely based on a case study regarding the social amplification of risk. The study looks into a series of fires in France in the mid-1990s. The National Gallery of Denmark has invited Emily Wardill to make a videoproject in the x-room. The result is a fascinating love story, that unfolds into a tale about the relationship between body SMK TV: Interview with Emily Wardill. Report.

Emily wardill interview

Bergen. Norway. (2017) Matt black and Rat. Gulbenkian Project Spaces. Lisbon, Portugal. (Upcoming 2017) It’s not what it looks like. Altman Siegal. San Francisco, USA. (Upcoming 2017).

9:43. 2017 Mid-Atlantic Interview With Anna Howard & Emily Hillsman _ 2017 Mid Emily Wardill, I gave my love a cherry that had no stone (still), 2016. Join us on e-flux Video & Film for an online screening of Emily Wardill 's I gave my love a cherry that had no stone (2016), on view from Monday, December 7 through Sunday, December 13, 2020.

Emily and Jenny about meeting at a casting, being creative, Little Two's, the first practice, being free-spirited people, a good work ethic, moving in togeth

Emily Wardill’s works are best known for their sensual and psychologically charged refracted narratives. Wardill’s films, photographic works, drawings, and props investigate the complexities of communication and representation, the limitations and imprecision of language, and the point at which the immaterial adopts the material through insinuation.

av M Bärtås · 2010 · Citerat av 5 — interview with Hans Ulrich Obrist more recently (2007), Robbins ex- Tokyo); Emily Wardill; Mutsumi Shinohara, Hatch Art and the staff at ZAIM

Emily Wardill: Night for DaySeptember 18–November 8, 2020SecessionFriedrichstraße 121010 ViennaAustriaHours: Tuesday–Sunday 2–6pmT +43 1 587530710F +43 1 587530734presse [at] secession [dot] atwww.secession.at Emily Wardill (born 1977 in Rugby, England), is a British artist and film maker.. She studied fine art at Central St. Martins College of Arts and Design in London. In 2010, Wardill was awarded the Film London Artists' Moving Image Network Jarman Award, which allowed her to show her works on national television in the UK. Paranoia, hallucination and expectation; making sense of hidden systems Emily Wardill. Emily Wardill’s works are best known for their sensual and psychologically charged refracted narratives. Wardill’s films, photographic works, drawings, and props investigate the complexities of communication and representation, the limitations and imprecision of language, and the point at which the immaterial adopts the material through insinuation.

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Masterprogrammet i fri konst 120hp Masterprogrammet i fri konst med inriktning mot forskningsförberedande studier 120hp View the profiles of people named Emily Wardill. Join Facebook to connect with Emily Wardill and others you may know. Facebook gives people the power to Emily and Jenny about meeting at a casting, being creative, Little Two's, the first practice, being free-spirited people, a good work ethic, moving in togeth The Hands Of A Clock, Even When Out Of Order, Must Know And Let The Dumbest Little Watch Know Where They Stand, Otherwise Neither Is A Dial But Only A White Face With A Trick Must 27 Jan 2009 Film-maker Emily Wardill discusses her films The Diamond Sea Oak was developed from a series of interviews conducted with the Emily Wardill “Noh Costume”, 2017.

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Screening as part of LUX Criticical Forum alongside Emily Wardill, David Interview with Mark Durden, Source, The Photographic Review, Issue No 64

Bi, a new work commissioned by Kohta, is half of a diptych reversing Eugene O’Neill’s famous Paranoia, hallucination and expectation; making sense of hidden systems ‘Emily Wardill’, Jessica Lack, Guardian Guide, 2006 ‘The Feast Against Nature’, Bruce Haines, Art Monthly, October 2004, ‘Group Shows are a Waste of Time’, Martin Herbert ,Time Out, September 2003 Emily Wardill (born 1977 in Rugby, England), is a British artist and film maker.. She studied fine art at Central St. Martins College of Arts and Design in London. In 2010, Wardill was awarded the Film London Artists' Moving Image Network Jarman Award, which allowed her to show her works on national television in the UK. 2010-01-14 By the sea, stands a house for ghosts.

2010-01-14 · Home Emily Wardill- Seth Price Emily Wardill- Seth Price January 14, 2010 Marion Seifert Uncategorized art , Berlin , Exhibition , Kultur , Kunsthalle , Kunstverein

(2017) Matt black and Rat. Gulbenkian Project Spaces. Lisbon, Portugal. (Upcoming 2017) It’s not what it looks like. Altman Siegal. San Francisco, USA. (Upcoming 2017). Untitled. Kling and Bang.

A few things. Emily Wardill interview. Posted on March 26, 2013 by janglamangla. It’s also really problematic, of course. Do you know this famous Ron Susskind interview, when he Interview by Julie Uusinarkaus | Artwork by Emily Wardill | Photographs by Jussi Tiainen, courtesy of Kohta Bi is a new work by Emily Wardill (1977, England, lives and works in Portugal). Walking into the room exhibiting Bi feels like interrupting a play, although you cannot just sit and passively watch. Press Release: Emily Wardill’s films, photographs, and objects probe the complexity of perception and communication, the question of how reality appears authentic to us, and the displacements of substance and form effected by the individual nature of the imagination.